Showing posts with label * Colour Politics. Show all posts
Showing posts with label * Colour Politics. Show all posts

Thursday, June 17, 2010

Black Spider Man Follow Up

You know, sometimes I just do stuff without really thinking it all the way through.

Take for instance, photoshopping a J. Scott Campbell pic to make Spider-Man/Peter Parker black. I thought I was doing something that would be enlightening...in some ways I think it succeeded, and in others, failed miserably.

Based off some of the negative reaction I witnessed on this topic, I think I have a relatively good idea of what is going on here.


The image in question is of Spider-Man kissing Black Cat, while MJ looks on, shocked.
Gut reaction: Tense love triangle. I feel bad for MJ, I dislike Black Cat and Spidey's actions.


But once Peter Parker becomes black, the image takes on a whole new level of meaning. If we considered ourselves truly unbiased, colourblind individuals, then when we see the second image, we shouldn't have any change in our gut reactions.

But we do. Why?

Nothings changed. It's still a tense love triangle scene. But now when we see MJ's shocked look, instead of feeling bad for her, we feel confused, repulsed, offended. Instead of interpreting her reaction as just a hurt lover, we now see a manipulative edit I did to associate her feelings of hurt and shock with Peter Parker being black.

But I didn't make that association. I just changed his skin colour.




There is no such thing as a "colourblind, unprejudiced person." Colour matters, differences are real. Accept that people are different. Embrace those differences. Love those differences. Only then will those differences disappear.


More Comix 365 articles:  

Valerie as Spider Woman
Black Spider Woman
Good Girl art
Good Girl Art Terry Dodson

Wednesday, June 16, 2010

Spidey Super Stories # 11

Spider man faces doc ock!Writer: Jean Thomas
Artists: Winslow Mortimer, Mike Esposito, and T. Mortellaro
Publisher: Marvel
Published: 1975

With the new Spidey film in works, there has been a call for Donald Glover to audition. The debate has been whether Peter Parker/Spider-Man can be black...this whole debate kinda reminds me of todays issue.

After having one of Peter Parker Spidey bindle webs fall into Valerie's hands, she gets the idea to be a superhero!


Valerie finds spider mans outfit
And after a few training sessions, The Sensational Spider-Woman is born!

Valerie web swings!
Spidey seems ok with this...

Valerie wants to have fun too!
Then trouble strikes! The Vulture! Good thing Valerie is there!

Spider Woman and Spider Man face the Vulture
And after Valerie's wall suction cups fall off, Spider Woman is no more. The End?

This is a fascinating story. It has a black Spider-Woman, but the fact Valerie is black has no bearing on the story. Valerie's a down on her luck gal, who has her luck turn around when she dons the costume of Spider-Man. And then in the end, she returns to just Valerie, while the real Spider-Man continues his adventures.

This tale has certain elements that are surprisingly similar to the plight of Don Glover and his quest to don the mask of Spider-Man. He's wants to have some of the fun as it were, be a hero. And as much as internet fans photoshop him into the costume, at the end of the day, he'll most likely not be the next Spider-Man. But, unlike Valerie's story in this issue, where she did become Spider-Woman and happened to be black, Don Glover will not be Spider-Man because he is black.

Call me jaded, but the proofs in the pudding. Take for instance the up-and-coming movie The Last Airbender, where 3 of the 4 lead actors are white and are dressed to look Asian/Inuit. If Hollywood won't even cast Asians/Inuit to play originally intended Asian/Inuit characters, they sure as hell won't cast a Black actor to play a White Peter Parker/Spider-Man. (Note: I am not comparing skin colours, but actors to character roles).

But, I'm ambivalent on the issue. Part of me wouldn't want a black actor to be cast as Spider-Man because it would be a gimmick at best. However, another part says yes to a black Spider-Man because characters of such resonance shouldn't be determined by what colour their skin is. Another part of me says why should there be a black Spider-Man when they're are so many other great characters who were written as black. Then again, when I close my eyes and think of Spider-Man and other heroes I enjoy reading, they are always white; my own mind is "white washed" - maybe a simple change of colour could shakes things up for the better?

As a thought experiment on the debate, I photoshopped this image together. Sorry to J. Scott Campbell!

Black Spider Man kisses Black Cat while Mary Jane looks shocked
I don't know about you guys, but after looking at this image, I think a world of fresh, controversial, and exciting stories could be culled from making Peter Parker/Spider-Man black.

*****Update*****

So I added this photo to a comic site and the responses I got were awful, and then it opened up the doors for really bad comments. I don't get it. This image wasn't created as a form of blackface. It's trying to imagine what a world would be like where Peter Parker/Spider-Man is black. And as the image suggests, just because Peter's black, doesn't mean his supporting cast would be black as well. I think that is what would be so awesome about a black Spider-Man - he'd tackle racial politics. So this image can be taken a number of ways. Is MJ shocked at Peter cheating, or is she shocked at a black man and a white woman kissing, or both? What exactly would happen if Spider-Man was black?

On a related note: Years ago I saw Joey Jeremiah (Pat Mastroianni) and Snake (Stefan Brogren) do a live show where they talked about their experiences growing up filming Degrassi. One of the stories that stood out was when Degrassi started airing down in the States, their biggest complaints they received weren't the episodes where they tackled child abuse, abortion, drugs, suicide, etc, but the episode where BLT (black) and Michelle (white) kissed. Wow. Living in Canada, where we embrace (or at least pretend to) our differences, I find this to be perplexing. Colour is just that - colour. It makes our world brighter, better, and beautiful.

So either people are offended by this rendition because it's photoshopped, or they immediately think it's a blackface, or they are offended at the potential racial politics therein. I don't know. Any thoughts?

Check out my follow up!



More Comix 365 articles:  

Michael Allred Solo
Solo: Mike Allred
The Goon Cover
The Goon #8

Monday, December 28, 2009

Scalped # 12

Writer: Jason Aaron
Artist: John Paul Leon
Colours: Giulia Brusco
Publisher: Vertigo
Published: February 2008

My town's local public library is a great place. They have DVD's, CDs, a huge assortment of books, magazines, but more importantly they have a pretty decent selection of graphic novels. The library has Paul Pope's Heavy Liquid, Darwyn Cooke's Selina's Big Score, Alan Moore's run on Swamp Thing, Grant Morrison's WE3 - we'll as you can see they got's the greats....however, they also have Jason Aaron and R.M. Guera's Scalped; which catapults this great selection to a spectacular selection.

Being fairly on-top of the comic scene, I am ashamed to say that this series has slipped under my radar...boy am I grateful for my library! Scalped is a story about a group of individuals on the Prairie Rose Reservation. It is dark, crime-noir story, filled with murder, deception, lust, betrayal, pride, heritage, drugs, and well, you get the point. Aside from these basic noir elements, what makes this series so great, is that Aaron has brought Aboriginal Americans to the forefront of his story. In 12 issues, Aaron has covered government interference vs. autonomy, measuring one's aboriginal status in fractions, spirit totems, protests, reservations vs. prisons, and remembering one's heritage, no matter at what price that memory costs.


In issue 12, Aaron and guest artist John Paul Leon deliver a standalone story to bring new readers up to speed on Dashiell Bad Horse's situation. The story consists of Dash caught in vicious dreams of his past, present, and possible future.

Of key note, in six pages, Dash relives and experiences
horrific events of Aboriginal American history. He is confronted with hate, prejudice, murder, theft, foreign disease, and ultimately, the importance of heritage and unity. I don't want to give away too much, but let me just say that the image below is enough to drive home the fact that Scalped is a great series that merits immediate attention.


Living in Canada, and having lived in a town that was less than 10km away from a First Nations Reservation, I have had many opportunities to consider what life may be like for a First Nations person. However, before I start, I want to preface my thoughts with the fact that although I may think and imagine what life is like for a First Nations person, I can never actually know or understand what that life is like....

Nevertheless, from what I do know and understand, if I were to imagine myself in the same shoes as a First Nations person, I know for fact that I would be in a very negative mood. First, being segregated into reservations is a negative for me. I don't like being told were to live. Second, if I were to leave, I don't like being told there will be consequences, be it social, financial or otherwise. Third, I don't like that on government forms I am constantly confronted with the "aboriginal" check box. Fourthly, I don't like the idea that political posts that work with Aboriginals are called 'Indian Affairs.' Fifthly, I don't like that children who attend schools with aboriginals don't see aboriginals as classmates, but see their aboriginal classmates as just aboriginals.

Maybe I'm the biased one and my frustrations are unfounded, but one thing I do think is valid is that a persons identity and self worth can never be fully realized as long as someone else is telling them what they are and what they should do.